Soul Mosaic

The unexpected twist of fate

I love words. Discovering new ones. Sounding them out. Finding out where they originally came from. How their meaning evolved over time.

As a kid, I used to spend summer afternoons reading both the dictionary and Roget’s Thesaurus. Yes, truly. I read them…of my own choice. Another one of my Moments of Respite.

It was just fascinating to find so many meanings for one word, and so many words for one meaning. Then there were all the different ways you could alter words — nouns, adjectives, verbs. And best of all, deciphering the code of odd characters for accents, hyphenations, and pronunciations.

As an unexpected twist of fate, that activity served me well later on, as, at one point in my writing career, I was a freelance lexicographer: I helped write and edit a dictionary and a thesaurus. I made sure every possible nuance of meaning, cultural reference, and usage was there for each word, and that every detail of origin and pronunciation was correct. I couldn’t believe I was being paid to “meet words and learn their life stories!”

So it is no surprise that for this memoir, I have a list of “power words.” They are words that prompt deep reflection on my life, Words that evoke strong emotions. Words that best describe the images in my head, and the depths of my spirituality. And they provide abundant “prompts” for my journaling and this book.

And that is just in English.

Behold!

I also have books now on Hebrew words. Their pronunciations and how to write them in both Hebrew and English fonts. Their root origins, the multiple ways they can be interpreted, and… most importantly… how they connect with my soul’s power in using them. When I write them and form the curves and lines with the pen, I FEEL their power. Especially this one:

Finally, it is time to get to the point: Writing and the why, how, what, truth, and courage choices of it all.

I’ll start from the “outer edges” of the subject and move to the “heart of the matter.”

The necessary evil that can be a superpower

In my next post, I am going to talk about the ultimate power in writing – that choice of a single, lonely word a writer makes in a given moment to carry the weight of a life.

The choice of a word can mean the difference between sending a flaming spear of meaning directly into your reader’s heart or missing by a mile and watching the spear land in a puddle and dissolve into soggy smoke.

But before I get down to that core decision, I am going to talk about one “auxiliary” power to keep in mind after you choose your words. Grammar.

Please don’t roll your eyes. And before I get started, I am not a grammar expert. Nor do I want to be. For sure, I am not trying to sound literary or impressive. In fact, call this post my “Grammatical disclaimer.”

You may encounter many defeats, but you must not be defeated.
Maya Angelou

How much longer???

First, I saw the photo… then her face. No, actually, it was her eyes peering out of that face that I noticed first of all. They had a haunted quality.

They were gentle. Soft. Wounded. There was a sadness to her face I immediately recognized and ached for. Then I saw the headline and felt not only the ache but also the outrage on her behalf.

It was a BBC article from 27 March 2024: “Long wait for therapy after step-grandfather’s abuse.”

Starting at age five, her step-grandfather sexually, emotionally, and physically abused her. As she got older, it really ramped up, and she noted that along with the constant sexual abuse, there was a lot of physical abuse.

I immediately identified with those elements of her story, even as some aspects of our paths differed. Where I didn’t get out of my house until 28, she left home at 16. However, that didn’t make it better. Just different.

On the plus side, she was able to start telling others what happened and even reported her abuser to the police in 2016. The following year, he was sentenced to 25 years in prison.

However, her own recovery was hampered by the very limited availability of therapy services. As she noted in the article, help availability depended on where you lived. And even when she could get any kind of help, it was short-lived and inadequate.

In that regard, my experience was different. Even though I started late on my journey to healing, I had been able to find and access therapists as I needed and wanted.

To bring awareness to the lack of needed therapy resources in her area in the UK, that girl, Charlotte Robinson, 26 at the time of that article, waived her right to anonymity. She told the world about her struggles with nightmares, flushing, and constant flashbacks, and the need for medication to sleep.

She shared that in seeking help, she’d been on waiting lists for 18-months in the past, and at the time of the article, she had been waiting 3 years for the specialized trauma therapy she needs.

It is stories like hers that infuriate me and bring out the warrior in me. I’ve always been the sort of person who, even when I wouldn’t fight for myself, was ready to fight for or defend another.

These days, though, I no longer have the kind of energy to wage big battles. But given her story, and no doubt ones very, very similar, THAT is a driving force for my writing.

If I can get a strong enough message out there through my story, maybe it can help anyone who is still waiting?

I keep Charlotte Robinson’s picture above my work area, so I don’t forget her eyes. I only hope she is no longer on a waiting list…

The “people”

I cringe a bit using the word “Tools” when speaking of the lives of others. I don’t mean people as “objects.” It is the power of their stories, I guess, the wisdom I get from them…because those stories motivate and teach me.

When I am weary of writing my story, I read about others who have been abused or treated badly in life, and then I go on. I see so many people who’ve overcome such odds or waged such battles to try that I can’t help but be inspired. So, I guess it is the “stories” that are the tools.

“Your body is the place where heaven and earth meet.”
God in Your Body: Kabbalah, Mindfulness and Embodied Spiritual Practice, Jay Michaelson

For most of my life, my body was not a meeting place with the Universe but a despised battleground. I hated it. It had betrayed me by yielding to pleasure when he abused me. Failed me by fearing him and freezing up.

It had been his tool for his own gratification, so I loathed what he craved. And he had drilled into us that taking time for self-care was a waste of time. Whenever I got sick, right after I threw up, he would tell me to eat so I could hurry up and get better. Bottom line – the body was something to suck dry and make demands on, not take care of.

So for years I just worked it to death, gave it no quarter, and took from it. It didn’t deserve any better in my estimation. I refused to exercise or give it proper ease and care. I demanded that it deliver, be strong, and be there whenever I placed a demand on it. And I showed it no compassion or gentleness.

News flash: In case it isn’t obvious, that attitude has not served me well. I don’t recommend it.

Second news flash: True healing is not just emotional work. It’s body healing, too.

Because so much of the trauma is stored in the body tissues and nervous system, somatic, or body healing, is essential. Psychiatrist Dr. Bessel van der Kolk, who wrote the book The Body Keeps the Score, describes trauma and its connection to our bodies:

Painting “me”

Recently, I pulled this painted-up black piece of cardboard off my easel so I could place a new, clean one there. I use these backboards to catch excess paint when I am painting around the sides and bottom of the canvases. It keeps paint from getting all over the place.

As I pulled the board off the easel, my husband stopped me from throwing it away.

I know he has always honored my painting efforts and loves what I paint. And he says he loves watching me paint because when I am engaged in my art, I am in a totally different place emotionally.

So I appreciated his support of my work. But I had to ask him, “Why do you want this backboard?”

He was quiet for a moment, then said, “Of anything you’ve created, THIS one is most ‘you.’ It bears the paint of every single piece of artwork you’ve done, either for the book or to relax with. And so I want it. I don’t care about any of the other paintings. This one I am going to frame and keep.”

You never know how a piece of “art” will touch the soul of another.

To be the pipe

The same is true of this book. As much as I needed to do it to help me, I felt like this book was also the answer to my lifelong question: “Because of what happened, what do I do with it?” It was about something much bigger than just me.

I want to help others who may be in pain. I view this whole writing effort not only as a healing work for me, but as something the Universe was asking me to do for whoever out there needed it.

I like to think of it as if I am the “water pipe.” People need water to live. Without it, they won’t make it. But how do you get water from a lake to their homes? Pipes. Now, the pipe is important, yes, but only in the sense that the pipe makes it possible for the people to get what they need. If all they have is an empty pipe, that’s useless. Ultimately, it is the water that is key to their survival.

When memories and emotions finally decide to burst out from behind their walls of decades-long repression and silence, they aren’t timid or quiet. They scream. Rage and sorrow, heartbreak and despair, loss and trauma are not meek.

Faced with a flood of emotions and hundreds of memories all wanting to be captured on canvas at once, I didn’t try to stop them or direct them. I just got out of their way and listened. At that point, it was not a question of “if,” but “how” to give them their say. And even on that count, they drove the bus and dictated the style choices.

I could pretend that I sat down to purposely and strategically plan the “conceptual, aesthetic, and material choices” of the artistic approach for this book… but that would be a lie. I am the servant of those memories and emotions, and so I follow their directives for how to execute the art.

The decisions for how to do that were made quickly, intuitively, and from within. So let’s consider this post, the “Artist Statement,” for the true drivers of the work: Memory and Emotion.

Those recurring moments in time

The next step I need to make sense of my life is to look for things that “repeat” — objects, metaphors, themes, events. It’s one of the reasons I mind map and journal so much.

When I spread out items on a large sheet of paper and stand back, that’s when I start to notice that certain elements come up again and again. And I spot connections between them.

With regards to my journals, I write in Word docs so I can read my writing better. I keep them in binders by date, and for each entry, I put a sticky note at the top of the page that has a few key words as to the topic.

The other plus to storing my notes in Word is that I can then do a global search of the words on that list to see how many documents they show up in. That lets me see if there are changes in that issue over time, whether it’s progress, a relapse, or some new way they come out in my life.

Periodically, I will flip through my journals, scanning those sticky notes with the topics, and, without fail, I’ll start to see repeating topics and phrases. Then I’ll also go through any folders of scribbled notes I haven’t journaled about yet.

From all of these, I’ll just make a word list of the repeating topics I’ve observed. Those are the precious clues to a truth I haven’t yet figured out. They are pointers to places I need to dig deeper and think about more. The fact that they come up again and again tells me they are “unfinished.”